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» George Jones

George Jones
Born: September 12, 1931 in Beaumont, Te
Died: April 26, 2013 in Nashville, Te
Active: '50s-2000s Major
Styles: Nashville Sound/Countrypolitan, Honky Tonk, Country-Pop
Instrument: Vocals Representative
Albums: "The Best of George Jones, Vol.
1: Hardcore Honky Tonk", "Cup of
Loneliness: The Classic Mercury Years", "A Picture of Me (Without You)/Nothing Ever Hurt Me (Half as Bad as Losing You)" Representative
Songs: "He Stopped Loving Her Today", "She Thinks I Still Care", "White Lightning"

UPC Type Title
886978310828 CD 16 Biggest Hits
074646996928 CD 16 Biggest Hits
792014233023 CD 18 Early Starday Recordings
792014232927 CD 18 Original Recordings
015668200921 CD 20 Golden Pieces of
792014071724 CD 20 Original Greatest Hits
012676363426 CD 21 Country & Gospel Hits
012676363327 CD 32 Greatest Hits
015707022026 CD 50 Years of Hits
607396804023 DVD A Concert Tribute to George Jones
805520130660 (i) CD Absolutely Essential 3CD Collection
090431153826 CD All American Country
731455256222 (i) CD All American Country
015707834025 CD Amazing Grace
008811039820 CD And Along Came Jones
792014058121 CD At His Best
090431866528 CD Best of George Jones
792014051924 CD Best of the Best
792014083628 CD Best of the Best of Gospel
5883007136263 DVD Black Mountainrag: Greatest Live Hits
888837714129 CD Box Set Series
015707984225 CD Burn Your Playhouse Down
075596236829 CD Cold Hard Truth
5013929985223 (i) CD Country Church Time
886919332421 CD Country: George Jones
5099750139820 (i) CD Definitive Country Collection
612657019924 CD Dispatches 1990-99: Critical Collection
792014062623 CD Duets
886972942124 (i) CD Duets
8712177053001 (i) CD Early Years
827969256527 CD Essential George Jones
5099749157323 (i) CD Essential
690978395514 CD Faboulous
816651013609 CD George Jones: Complete United Artists Solo Singles
792014062425 CD George Jones & Mel Street
792014062029 CD George Jones & Porter Wagoner
9398800034327 CD George Jones (We Can Make It)/I Wanta
894231326820 CD George Jones Sings Country Hits
610583336528 CD George Jones: The Great Lost Hits
886970548021 CD George Jones: Vol. 2-Super Hits of George Jo
032031168398 DVD Golden Hits
4000127169297 (i) CD Good Year for the Roses
853580005039 Vinyl Grand Old Opry's New Star
5013929890138 (i) CD Grand Tour/Alone Again
610583398823 CD Great Country Hits of the 60s
715187736924 CD Greatest Country Hits
724381823927 CD Greatest Hits
610583469929 CD Heartaches & Hangovers
4000127168580 (i) CD Heartbreak Hotel-Gonna Shake This Shack Tonight
015707816526 CD Hits
015707979221 CD Hits I Missed & One I Didn't
886971672626 CD I Am What I Am
008811147822 CD I Lived to Tell It All
602537424955 CD Icon
602537424962 CD Icon
690978140527 (i) DVD In Concert-Orange Blossom Special
079893237923 CD It Sure Was Good
5013929891333 (i) CD Jones Country/You'Ve Still Got a Place in My Hea
792014086728 CD Jones George: Vol. 11-Top Hits
022891668992 DVD Live in Concert
032031308695 DVD Live in Tennesee
766127190023 CD Live Recordings From the Louisiana Hayride
610583439823 CD Lost Hits-Plus!
099923804628 CD Memories of Us/Battle
610583395822 CD Mr. Country & Western
894231478628 CD My Favorite Lies/Good Year for the Roses
079895814726 CD Nothing Like George Jones
008811124823 CD One
887254444329 CD Playlist: The Very Best of George Jones & Tammy Wy
888837385428 CD Playlist: The Very Best of George Jones
012676600521 CD President & the First Lady
9398800032323 CD Radio Lover 1980-1989: A Critical Anthol
610583337327 CD Sacred Songs
032031308596 DVD Same Ole Me
792014300527 CD Seasons of My Heart
886978985224 CD Setlist: The Very Best of George Jones Live
4000127168184 (i) CD She Thinks I Still Care-Complete United Artists/Re
824046510527 CD Some of the Best-Live !
612657029220 CD Step Right Up: 1970-1979 a Critical Anth
886970532822 CD Super Hits
8712177004324 (i) CD Tender Years
755174489921 CD Together Again
5013929892033 (i) CD Too Wild Too Long/You Oughta Be Here with Me
886970528429 CD Vol. 1-Best of George Jones
4000127169280 (i) CD Walk Through This World with Me
008811065225 CD Walls Can Fall
5013929883284 (i) CD We Go Together/Let's Build a World Together
5013929880689 (i) CD Who's Gonna Fill Their Shoes/Wine Colored Roses
792014229927 CD Will the Circle Be Unbroken

Biography: By most accounts, George Jones was the finest vocalist in the recorded history of country music. Initially, he was a hardcore honky tonker in the tradition of Hank Williams, but over the course of his career he developed an affecting, nuanced ballad style. In the course of his career, he never left the top of the country charts, even as he suffered innumerable personal and professional difficulties. Only Eddy Arnold had more Top Ten hits, and Jones always stayed closer to the roots of hardcore country.

Jones was born and raised in East Texas, near the city of Beaumont. At an early age, he displayed an affection for music. He enjoyed the gospel he heard in church and on the family's Carter Family records, but he truly became fascinated with country music when his family bought a radio when he was seven. When he was nine, his father bought him his first guitar. Soon, his father had Jones playing and singing on the streets on Beaumont, earning spare change. At 16, he ran away to Jasper, Texas, where he sang at a local radio station. Jones married Dorothy, his first wife, in 1950 when he was 19 years old. The marriage collapsed within a year and he enlisted in the Marines at the end of 1951. Though the U.S. was at war with Korea, Jones never served overseas -- he was stationed at a military camp in California, where he kept singing in bars. After he was discharged, Jones immediately began performing again.

In 1953, Jones was discovered by record producer Pappy Daily, who was also the co-owner of Starday Records, a local Texas label. Impressed with Jones' potential, Daily signed the singer to Starday. "No Money in This Deal," Jones' first single, was released in early 1954, but it received no attention. Starday released three more singles that year, which all were ignored. Jones released "Why, Baby, Why" late in the summer of 1955 and the single became his first hit, peaking at number four. However, its momentum was halted by a cover version by Webb Pierce and Red Sovine that hit number one on the country charts.

Jones was on the road to success and Daily secured the singer a spot on the Louisiana Hayride, where he was co-billed with Elvis Presley. Jones reached the Top Ten with regularity in 1956 with such singles as "What Am I Worth" and "Just One More." That same year, Jones recorded some rockabilly singles under the name Thumper Jones which were unsuccessful, both commercially and artistically. In August, he joined the cast of the Grand Ole Opry and his first album appeared by the end of the year. In 1957, Starday Records signed a distribution deal with Mercury Records and Jones' records began appearing under the Mercury label. Daily began recording Jones in Nashville, and his first single for the new label, "Don't Stop the Music," was another Top Ten hit. Throughout 1958, he was landing near the top of the charts, culminating with "White Lightning," which spent five weeks at number one in the spring of 1959. His next big hit arrived two years later, when the ballad "Tender Years" spent seven weeks at number one. "Tender Years" displayed a smoother production and larger arrangement than his previous hits, and it pointed the way toward Jones' later success as a balladeer.

In early 1962, Jones reached number five with "Achin', Breakin' Heart," which would turn out to be his last hit for Mercury Records. Daily became a staff producer for United Artists Records in 1962 and Jones followed him to the label. His first single for UA, "She Thinks I Still Care," was his third number one hit. In 1963, Jones began performing and recording with Melba Montgomery. During the early '60s, mainstream country music was getting increasingly slick, but Jones and Montgomery's harmonies were raw and laden with bluegrass influences. Their first duet, "We Must Have Been out of Our Minds" (spring 1963), was their biggest hit, peaking at number three. The pair continued to record together throughout 1963 and 1964, although they never again had a Top Ten hit; they also reunited in 1966 and 1967, recording a couple of albums and singles for Musicor. Jones had a number of solo hits in 1963 and 1964 as well, peaking with the number three "The Race Is On" in the fall of 1964.

Under the direction of Daily, Jones moved to the new record label Musicor in 1965. His first single for Musicor, "Things Have Gone to Pieces," was a Top Ten hit in the spring of 1965. Between 1965 and 1970, he had 17 Top Ten hits for Musicor. While at Musicor, Jones recorded almost 300 songs in five years. During that time, he cut a number of first-rate songs, including country classics like "Love Bug," "Walk Through This World With Me," and "A Good Year for the Roses." He also recorded a fair share of mediocre material, and given the sheer amount of songs he sang, that isn't surprising. Although Jones made a couple of records that were genuine tributes or experiments, he also tried to fit into contemporary country styles, such as the Bakersfield sound. Not all of the attempts resulted in hits, but he consistently charted the Top Ten with his singles, if not with his albums. Musicor wound up flooding the market with George Jones records for the rest of the '60s. Jones' albums for Musicor tended to be arranged thematically, and only two, his 1965 duet George Jones & Gene Pitney and 1969's I'll Share My World With You, charted. That meant that while Jones was one of the most popular and acclaimed singers in country music, there was still a surplus of material.

Like his discography, Jones' personal life was spinning out of control. He was drinking heavily and began missing concerts. His second wife, Shirley, filed for divorce in 1968, and Jones moved to Nashville, where he met Tammy Wynette, the most popular new female singer in country music. Soon, Jones and Wynette fell in love; they married on February 16, 1969. At the same time Jones married Wynette, tensions that had been building between Jones and longtime producer Daily culminated. Jones was unhappy with the sound of his Musicor records, and he placed most of the blame on Daily. After his marriage, Jones wanted to record with Wynette, but Musicor wouldn't allow him to appear on her label, Epic, and Epic wouldn't let her sing on a Musicor album. Furthermore, Epic wanted to lure Jones away from Musicor. Jones was more than willing to leave, but he had to fulfill his contract before the company would let him go.

While he continued recording material for Musicor, Epic entered contract negotiations with their rivals, and halfway through 1971, Jones severed ties with Musicor and Daily. He signed away all the rights to his Musicor recordings in the process. The label continued to release Jones albums for a couple of years, and they also licensed recordings to RCA, who released two singles and a series of budget-priced albums in the early '70s. Jones signed with Epic Records in October of 1971. It was the culmination of a busy year for Jones, one that saw him and Wynette becoming the biggest stars in country music, racking up a number of Top Ten hits as solo artists and selling out concerts across the country as a duo. Jones had successfully remade his image from a short-haired, crazed honky tonker to more relaxed, sensitive balladeer. At the end of the year, he cut his first records for Epic.

Jones' new record producer was Billy Sherrill, who had been responsible for Wynette's hit albums. Sherrill was known for his lush, string-laden productions and his precise, aggressive approach in the studio. Under his direction, musicians were there to obey his orders and that included the singers as well. Jones had been accustomed to the relaxed style of Daily, who was the polar opposite of Sherrill. As a result, the singer and producer were tense at first, but soon the pair developed a fruitful working relationship. With Sherrill, Jones became a full-fledged balladeer, sanding away the rough edges of his hardcore honky tonk roots.

"We Can Make It," his first solo single for Epic, was a celebration of Jones' marriage to Wynette, written by Sherrill and Glenn Sutton. The song was a number two hit early in 1972, kicking off a successful career at Epic. "The Ceremony," Jones and Wynette's second duet, followed "We Can Make It," and also became a Top Ten hit. "Loving You Could Never Be Better," followed its predecessors into the Top Ten at the end of 1972. By now, the couple's marriage was becoming a public soap opera, with their audience following each single as if they were news reports. Even though they were proclaiming their love through their music, the couple had begun to fight frequently. Jones was sinking deep into alcoholism and drug abuse, which escalated as the couple continued to tour together.

Though every single he released in 1973 went into the Top Ten, Jones' personal life was getting increasingly difficult. Wynette filed for divorce in August 1973. Shortly after she filed the papers, the couple decided to reconcile and her petition was withdrawn. Following her withdrawal, the duo had a number one single with the appropriately titled "We're Gonna Hold On." In the summer of 1974, Jones had his first number one hit since "Walk Through This World with Me" with "The Grand Tour," a song that drew a deft portrait of a broken marriage. He followed it with another number one hit, "The Door." Not long after its release, he recorded "These Days (I Barely Get By)," which featured lyrics co-written by Wynette. Two days after he recorded the song, Wynette left Jones; they divorced within a year.

The late '70s were plagued with trouble for Jones. Between 1975 and the beginning of 1980, he had only two Top Ten solo hits -- "These Days (I Barely Get By)" (1975) and "Her Name Is" (1976). Though they divorced, Jones and Wynette continued to record and tour together, and that is where he racked up the hits, beginning with the back-to-back 1976 number ones, "Golden Ring" and "Near You." The decrease in hits accurately reflects the downward spiral in Jones' health in the late '70s, when he became addicted not only to alcohol, but to cocaine as well. Jones became notorious for his drunken, intoxicated rampages, often involving both drugs and shotguns. Jones would disappear for days at a time. He began missing a substantial amount of concerts -- in 1979 alone, he missed 54 shows -- which earned him the nickname "No-Show Jones."

Jones' career began to pick up in 1978, when he began flirting with rock & roll, covering Chuck Berry's "Maybellene" with Johnny Paycheck and recording a duet with James Taylor called "Bartender's Blues." The success of the singles -- both went Top Ten -- led to an album of duets, My Very Special Guests, in 1979. Though it was poised to be a return to the top of the charts for Jones, he neglected to appear at the scheduled recording sessions and had to overdub his vocals after his partners recorded theirs. That same year, doctors told the singer he had to quit drinking, otherwise his life was in jeopardy. Jones checked into a rehab clinic, but left after a month, uncured. Due to his cocaine addiction, his weight had fallen from 150 pounds to a mere 100.

Despite his declining health, Jones managed a comeback in 1980. It began with a Top Ten duet with Tammy Wynette, "Two Story House," early in the year, but the song that pushed him back to the top of the charts was the dramatic ballad "He Stopped Loving Her Today." The single hit number one in the spring of the year, beginning a new series of Top Ten hits and number one singles that ran through 1986. The string of hits was so successful it rivaled the peak of his popularity in the '60s. "He Stopped Loving Her Today" was followed by the Top Ten "I'm Not Ready Yet" and an album, I Am What I Am, in the fall of the 1980. I Am What I Am became his most successful album, going platinum.

Throughout 1981 and 1983, he had eight Top Ten hits. Although he was having hits again, he hadn't kicked his addictions. Jones was still going on crazed, intoxicated rampages, which culminated with a televised police chase of Jones, who was driving drunk, through the streets of Nashville. Following his arrest, Jones managed to shake his drug and alcohol addictions with the support of his fourth wife, Nancy Sepulvada. Jones and Sepulvada married in March of 1983. Soon after their marriage, he began to detoxicate and by the end of 1983, he had completed his rehabilitation.

Jones continued to have Top Ten hits regularly until 1987, when country radio became dominated by newer artists; ironically, the artists who kept him off the charts -- singers like Randy Travis, Keith Whitley, and Dwight Yoakam -- were heavily influenced by Jones himself. Jones and Sepulvada moved back to Nashville in 1987. In 1988, he recorded his final album with Billy Sherrill, One Woman Man. The title song, which was a hit for Johnny Horton in 1956, was Jones' final solo Top Ten hit. One Woman Man was his last record for Epic Records. After its release, he moved to MCA, releasing his first record for the label, And Along Came Jones, in the fall of 1991. In between its release and One Woman Man arrived a duet with Randy Travis, "A Few Ole Country Boys," that was a Top Ten hit in the fall of 1990. Jones' records for MCA didn't sell nearly as well as his Epic albums, but his albums usually were critically acclaimed. In 1995, he reunited with Wynette to record One. In April of 1996, Jones published his autobiography, I Lived to Tell It All. In 1998, he returned with another studio album, It Don't Get Any Better Than This.

Following the release of It Don't Get Any Better Than This, Jones moved from MCA to Elektra/Asylum, who signed him on the provision that he would record hardcore country music. Jones was completing work on his debut for the label when he crashed his car into a bridge in Nashville on March 6, 1999, critically injuring himself. Amazingly, he pulled through the accident, but the investigation proved that Jones had been drinking and driving -- a troubling revelation, given his long history with alcoholism. He pleaded guilty to a lesser charge, DWI, and entered a rehab program. The release of his Elektra/Asylum debut, Cold Hard Truth, went on as scheduled, appearing in stores in the summer of 1999. The Rock: Stone Cold Country 2001 followed in 2001. Hits I Missed...And One I Didn't from 2005 found Jones looking back over the years and picking songs that he originally declined to record, but were hits for the other artists. Burning Your Playhouse Down was released in 2008 on Vanguard Records. Jones continued to perform into the 2010s, but was hospitalized in Nashville in April 2013 for fever and irregular blood pressure and never left the hospital; he died on April 26th. ~ Stephen Thomas Erlewine, Rovi