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» Little Richard

Little Richard
Born: December 5, 1932 in Macon, Ge
Active: '50s-2010s Major
Styles: Rock & Roll, Early R&B, New Orleans R&B
Instrument: Vocals, Piano Representative
Albums: "18 Greatest Hits", "Here's Little Richard/Little Richard", "The Georgia Peach" Representative
Songs: "Long Tall Sally", "Tutti Frutti", "Lucille"

UPC Type Title
792014771020 CD 20 Greatest Hits
724359898629 (i) CD 50's
723721526658 CD Architect of Rock & Roll
723721173852 CD Architect of Rock & Roll
883717008824 CD Baby Face
029667119528 (i) CD Classic Cuts
7898929399380 (i) CD Colecao Anthology
605457255821 (i) CD Coleccion Definitiva
5017261203687 (i) CD Explosive Little Richard
8436542013888 (i) CD Fabulous Little Richard/It's Real
029667113328 (i) CD Fabulous Little Richard
4000127154484 (i) CD Formative Years 1951-53
022211701224 CD Georgia Peach
025218331425 CD Good Golly!
715187773929 CD Greatest Songs
888072333000 CD Here's Little Richard
5050457069322 (i) CD Here's Little Richard
888072338401 (i) CD Here's Little Richard
888072350625 Vinyl Here's Little Richard
029667112826 (i) CD Heres Little Richard
821797128711 Vinyl Heres Little Richard
029667110921 (i) CD His Greatest Recordings
8436006676024 Vinyl Implosive Little Richard
4009910487624 (i) CD Keep a Knockin'
874757045122 CD King of Rock 'N' Roll
880831034227 CD Legend in Rock & Roll
805520130257 (i) CD Little Richard & Rock 'N' Roll Giants
5014797791350 (i) CD Little Richard: Collection
8436542010627 (i) Vinyl Little Richard
5051503106817 CD Live
5018755246012 (i) DVD Live at Toronto
9008157010720 (i) CD Lucille
3700139303825 (i) CD No 3
029667172929 (i) CD Original British Hit Singles
029667019521 (i) CD Pleasure
8712177044498 (i) CD Pop Legends
636551982221 CD Ready Teddy
883717008923 CD Rip It Up
8712177055111 (i) CD Rips It Up-the Hits Early Recordings & More
741157754827 CD Rock N' Roll Anthology
6365514221322 (i) CD Rockin with the Georgia Peach
4000127171382 (i) CD Rocks
690978395118 (i) CD Rocks
022211706328 CD Shag on Down by the Union Hall
604988054521 (i) CD She Knows How to Rock
883717008725 CD She's Got It
4011809894307 (i) CD Starpower
894231265426 CD Tutti Frutti & Other Favorites
3700139305652 (i) CD Tutti Frutti
888072307483 CD Very Best of Little Richard
5060255181300 (i) CD Very Best of Little Richard
8026575148222 CD Vol. 2-Mercury Blues Story-Midwest Blues
029667113120 (i) CD Volume 2

Biography: One of the original rock & roll greats, Little Richard merged the fire of gospel with New Orleans R&B, pounding the piano and wailing with gleeful abandon. While numerous other R&B greats of the early '50s had been moving in a similar direction, none of them matched the sheer electricity of Richard's vocals. With his bullet-speed deliveries, ecstatic trills, and the overjoyed force of personality in his singing, he was crucial in upping the voltage from high-powered R&B into the similar, yet different, guise of rock & roll. Although he was only a hitmaker for a couple of years or so, his influence upon both the soul and British Invasion stars of the 1960s was vast, and his early hits remain core classics of the rock repertoire.

Heavily steeped in gospel music while growing up in Georgia, when Little Richard began recording in the early '50s he played unexceptional jump blues/R&B that owed a lot to his early inspirations Billy Wright and Roy Brown. In 1955, at Lloyd Price's suggestion, Richard sent a demo tape to Specialty Records, who were impressed enough to sign him and arrange a session for him in New Orleans. That session, however, didn't get off the ground until Richard began fooling around with a slightly obscene ditty during a break. With slightly cleaned-up lyrics, "Tutti Frutti" was the record that gave birth to Little Richard as he is now known -- the gleeful "woo!"s, the furious piano playing, the sax-driven, pedal-to-the-metal rhythm section. It was also his first hit, although, ridiculous as it now seems, Pat Boone's cover version outdid Richard's on the hit parade.

Boone would also try to cover Richard's next hit, "Long Tall Sally," but by that time it was evident that audiences black and white much preferred the real deal. In 1956 and 1957, Richard reeled off a string of classic hits -- "Long Tall Sally," "Slippin' and "Slidin'," "Jenny, Jenny," "Keep a Knockin'," "Good Golly, Miss Molly," "The Girl Can't Help It" -- that remain the foundation of his fame. While Richard's inimitable mania was the key to his best records, he also owed a lot of his success to the gutsy playing of ace New Orleans session players like Lee Allen (tenor sax), Alvin Tyler (baritone sax), and especially Earl Palmer (drummer), who usually accompanied the singer in both New Orleans and Los Angeles studios. Richard's unforgettable appearances in early rock & roll movies, especially The Girl Can't Help It, also did a lot to spread the rock & roll gospel to the masses.

Richard was at the height of his commercial and artistic powers when he suddenly quit the business during an Australian tour in late 1957, enrolling in a Bible college in Alabama shortly after returning to the States. Richard had actually been feeling the call of religion for a while before his announcement, but it was nonetheless a shock to both his fans and the music industry. Specialty drew on unreleased sessions for a few more hard-rocking singles in the late '50s, but Richard virtually vanished from the public eye for a few years. When he did return to recording, it was as a gospel singer, cutting a few little-heard sacred sides for End, Mercury, and Atlantic in the early '60s.

By 1962, though, Richard had returned to rock & roll, touring Britain to an enthusiastic reception. Among the groups that supported him on those jaunts were the Rolling Stones and the Beatles, whose vocals (Paul McCartney's especially) took a lot of inspiration from Richard's. In 1964, the Beatles cut a knockout version of "Long Tall Sally," with McCartney on lead, that may have even outdone the original. It's been speculated that the success of the Beatles, and other British Invaders who idolized Richard, finally prompted the singer into making a full-scale comeback as an unapologetic rock & roller. Hooking up with Specialty once again, he had a small hit in 1964 with "Bama Lama Bama Loo." These and other sides were respectable efforts in the mold of his classic '50s sides, but tastes had changed too much for Richard to climb the charts again. He spent the rest of the '60s in a continual unsuccessful comeback, recording for Vee-Jay (accompanied on some sides by Jimi Hendrix, who was briefly in Richard's band), OKeh, and Modern (for whom he even tried recording in Memphis with Stax session musicians).

It was the rock & roll revival of the late '60s and early '70s, though, that really saved Richard's career, enabling him to play on the nostalgia circuit with great success (though he had a small hit, "Freedom Blues," in 1970). He had always been a flamboyant performer, brandishing a six-inch pompadour and mascara, and constant entertaining appearances on television talk shows seemed to ensure his continuing success as a living legend. Yet by the late '70s, he'd returned to the church again. Somewhat predictably, he eased back into rock and show business by the mid-'80s. Since then, he's maintained his profile with a role in Down and Out in Beverly Hills (the movie's soundtrack also returned him to the charts, this time with "Great Gosh a-Mighty") and guest appearances on soundtracks, compilations, and children's rock records. At this point it's safe to assume that he never will get that much-hungered-for comeback hit, but he remains one of rock & roll's most colorful icons, still capable of turning on the charm and charisma in his infrequent appearances in the limelight. ~ Richie Unterberger, Rovi