In 2013, Jessie Jones gave up her possessions, vanished into the nothingness of farm country, and found herself on interstellar overdrive far away from her Disneyfied home in Orange County. For three years, she had fronted Burger Records' Feeding People, OC's answer to Black Sabbath. The teenage byproduct of gloomy acid trips and gospel choirs, Feeding People released two albums, got signed to Innovative Leisure in 2011, and played Low End Theory with Radiohead's Thom Yorke?. The 19-year-old Jones, with her bluesy growl and whimsical melodies, was being compared to Jefferson Airplane's Grace Slick, Janis Joplin, and Screaming Females' Marissa Paternoster. In 2014, her voice returned to her with primal intent like the caterwauling echoes of coyotes deep in the Hollywood hills. Earlier this year, Jones began singing with paranormal proto-punk outfit Death Valley Girls, which allowed her to release her demons and find salvation during what Jones describes as the 'most cosmically ordained project' of her life. Reveling in the quantum wobble of her own alternative reality, Jones is now releasing her self-titled debut on Burger Records by channeling the voices in her head; not quite the sanitarium blues of Roky Erickson, but a mélange of Jim Morrison mysticism; a more stripped-down MGMT meets early-Grouplove; and Syd Barrett reverie. Under the guidance of producer Bobby Harlow (The Go) and Burger's Studio B, Jones' debut this summer will include guest appearances by drummer Duke Mushroom, violinist Hannah Glass, and Studio B regular King Tuff.
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