2012 collaboration between three masters of sound experimentation, all three great artists whose soundworlds turn out to be incredibly complementary. Tomoyoshi Date's toy piano and field recordings bring a lightness that has very seldom been witnessed in the projects of Toshimaru Nakamura, whose specialty is the no-input mixing board. As for Ken Ikeda, he uses antiquated equipment (like the DX7 synthesizer) to create unheard-of sonics that bridge the gap between one's naive approach and the raw minimalism of the other's feedback work.
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