Born in 1860, Spanish composer Isaac Albéniz was mainly a pianist and wrote primarily for the piano. More than any other musician, he succeeded in incorporating the Spanish guitar idiom a nd folklore into his style. Thus it is no wonder that many of Albéniz's piano works have also been performed on the guitar. But things are different when we come to Albéniz's Iberia, a suite of piano pieces so complex that few solo guitarists have ever attempted to transcribe and perform them. My selection stems from Albéniz's most well-known cycles: Iberia, Suite Española and España