Product Notes
Jacquet de Berchem (c.1505-c.1565) was a Flemish composer working in Venice and Verona. He has the distinction of Being the first composer to use the term as a title capriccio musical, In His publication of 1561, Il primo, secondo e terzo book capriccio. The present program That comes from publication, and Makes use of settings of the poetic cycle furious Orlando of Ludovico Ariosto (1474-1533). That cycle portrays the legend of Roland, and Apparently Berchem's publication is designed as a set of three "scenes" Which Provide settings in a semi-folk style. Performers: Maria Cristina Kiehr (soprano), Eitan Sorek (tenor), Otto Rastbichler (tenor), Furio Zanasi (baritone), Markus Tapio (viol), Sophie Watillon (viol), Brigitte Gasser viol), Renée Stock (viol) Margherita Degli Esposti (recorder), Claire Freedman (recorder), Roberto Festa (recorder), Bernard Stilz (recorder), Michèle Vandenbroucke (curtal), Joost Swinkel (sackbut), Cas Gevers (sackbut), Henning Plumeyer (sackbut), Mara Galassi (harp), Hugh Sandilands (lute), Maurizio Maiorana (recitation).
1 Senza Cavaddi, E Senza Nuddu Aiutu
2 Sinfonia a 5
3 Le Donne, I Cavallier', L'arme, Gli Amori
4 Orlando Si Chiamava Ed Era Capu
5 O Gran Bonta de Cavallier' Antichi
6 Ora Orlando Valenti Guerrieru
7 La Fiamme Che M'abbruscia
8 La Notti Orlando
9 La Donna Sua Che Gli Ritorn'a Mente
10 Deh Dove Senza Me, Dolce Mia Vita
11 Oh Infelice, Oh Misero, Che Voglio
12 Lu Paladinu Orlando
13 Queste Non Son Piu Lacrime, Che Fuore
14 Non Son, Non Son' Io Quel Che Paio in Viso
15 Chi Mette Il Pie Sull'amorosa Pania
16 I Scagghi Sfaiddavanu Avuti 'Nna L'aria
17 Vita Della Mia Vita
18 Gli Agricultori Accorti Agl'altrui Essempli
19 E Dio Per Questo
20 Lu Sensu Di Orlando
21 El Bisson
22 Era Come Un Liquor Sottile E Molle
23 Piangeano Quei Signor Per la Liu Parte
24 Ora Quanna Orlando Si Vitti Attornu
25 Haveasi Astolfo Apparecchiato Il Vaso
26 Signurii Miei! E D'acussi
27 Sinfonia a 5
Jacquet de Berchem (c.1505-c.1565) was a Flemish composer working in Venice and Verona. He has the distinction of Being the first composer to use the term as a title capriccio musical, In His publication of 1561, Il primo, secondo e terzo book capriccio. The present program That comes from publication, and Makes use of settings of the poetic cycle furious Orlando of Ludovico Ariosto (1474-1533). That cycle portrays the legend of Roland, and Apparently Berchem's publication is designed as a set of three "scenes" Which Provide settings in a semi-folk style. Performers: Maria Cristina Kiehr (soprano), Eitan Sorek (tenor), Otto Rastbichler (tenor), Furio Zanasi (baritone), Markus Tapio (viol), Sophie Watillon (viol), Brigitte Gasser viol), Renée Stock (viol) Margherita Degli Esposti (recorder), Claire Freedman (recorder), Roberto Festa (recorder), Bernard Stilz (recorder), Michèle Vandenbroucke (curtal), Joost Swinkel (sackbut), Cas Gevers (sackbut), Henning Plumeyer (sackbut), Mara Galassi (harp), Hugh Sandilands (lute), Maurizio Maiorana (recitation).