One of the most controversial composers on the New Music scene in the last thirty years, Brian Ferneyhough remains faithful to the idea of composition and interpretation as utopian, intellectually Olympian disciplines. His percussion classic Bone Alphabet comprises dense and polyphonic textures on seven non-resonant instruments. Electronic wizard Sir Duperman's remix offers an illuminating stylistic transposition, questioning the status of canonized artworks as untouchable masterpieces.