Described as "one of the best acoustic pickers on the scene today," Cary Morin brings together the great musical traditions of America and beyond like no other. With deft fingerstyle guitar and vocals that alternately convey melodic elation and gritty world-weariness, Morin crafts an inimitable style often characterized as acoustic Native Americana with qualities of blues, bluegrass, jazz, jam, reggae, and dance. 'A man and a guitar, a lot of soul, and an understanding of the history of soulful men with guitars in American music can sometimes achieve this kind of timelessness in their work...," comments Richard Higgs (Folk Salad, Public Radio Tulsa). "Cary Morin has the chops and is one of the best acoustic pickers on the scene today. [His] performances... would stand out, variously, among the old-school delta blues pliers, the Greenwich Village folk crowd at the end of the 1950s, the back-to-nature bards of the late '60s, or today's thriving singer/songwriter scene. Morin references all these styles; they're in his vocabulary, but he's no dilettante. His engaging sound is his alone...' Morin's third solo release, Tiny Town, follows close on the heels of an international tour that spanned the U.S. and reached as far as France and Denmark.