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  • Complete Recordings on Deutsche Grammophon

  • (Boxed Set)
  • Format: CD
  • Release Date: 7/20/2018
Complete Recordings on Deutsche Grammophon
  • Complete Recordings on Deutsche Grammophon

  • (Boxed Set)
  • Format: CD
  • Release Date: 7/20/2018
  • Label: Deutsche Grammophon
  • Number of Discs: 13
  • UPC: 028947999232
  • Item #: 2055856X
  • Genre: Classical Artists
  • Release Date: 7/20/2018
  • This product is a special order
CD 
List Price: $59.98
Price: $43.72
You Save: $16.26 (27%)
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Product Notes

Anatol Ugorski — "Anatol Ugorski - The Complete Recordings On Deutsche Grammophon" - Technical perfection, musical intelligence and courage are the hallmarks of Anatol Ugorski’s personality. Since his meteoric rise to fame in the 90’s, Ugorski’s interpretations, informed by his personal beliefs have stimulated discussion around the performer’s relationship with the score. Now his complete recordings on Deutsche Grammophon are presented together for the first time, including the first international release of his Scriabin Sonatas 2, 3, 5 & 9 as well as rare Chopin recordings.

Anatol Ugorski is one of the very few pianists who experienced a meteoric rise in fame who also kept up and even refined his deep pianistic beliefs. Deeply rooted in the often-cited “Russian tradition” he is also a highly individualistic virtuoso personality. His distinctive commitment to 20th century composers like Messiaen and Boulez is characterized in an anecdote from 1967 when he attended one of the few guest concerts of Pierre Boulez in the Soviet Union. Ugorski was so enthusiastic in public about the Boulez program featuring Schoenberg, Berg and Webern that he experienced reprimands and threats from the official censorship authorities afterwards.

Anatol Ugorski is one of the very few pianists who experienced a meteoric rise in fame who also kept up and even refined his deep pianistic beliefs. Deeply rooted in the often-cited “Russian tradition” he is also a highly individualistic virtuoso personality. His distinctive commitment to 20th century composers like Messiaen and Boulez is characterized in an anecdote from 1967 when he attended one of the few guest concerts of Pierre Boulez in the Soviet Union. Ugorski was so enthusiastic in public about the Boulez program featuring Schoenberg, Berg and Webern that he experienced reprimands and threats from the official censorship authorities afterwards.

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