Stanley Kubrick's painfully funny take on Cold War anxiety is without a doubt one of the fiercest satires of human folly ever to come out of Hollywood. The matchless shape-shifter Peter Sellers (The Pink Panther) plays three wildly different roles: Air Force Captain Lionel Mandrake, timidly trying to stop a nuclear attack on the USSR ordered by an unbalanced general (The Killing's Sterling Hayden); the ineffectual and perpetually dumbfounded President Merkin Muffley, who must deliver the very bad news to the Soviet premier; and the titular Strangelove himself, a wheelchair-bound presidential adviser with a Nazi past. Finding improbable hilarity in nearly every unimaginable scenario, Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb is a genuinely subversive masterpiece that officially announced Kubrick as an unparalleled stylist and pitch-black ironist.