Roman was Kapellmeister at the court in Stockholm and certainly the most important Swedish composer of the 18th century. He was trained by Handel and Pepusch, among others, and was familiar with all musical developments in Europe thanks to two extensive educational journeys. The works recorded here likely represent all of Roman's compositions in which the oboe, whether single or double, plays a solo role. In many other works, we find oboes as orchestral instruments, though they almost always double the strings and only rarely appear as soloists in individual sections.