An Oscar-« nominee for Best Documentary and winner of the 1986 New York Film Critic-¦s Circle non-fiction film prize, Marlene is a "portrait of a remarkably strong-willed woman, stage-managing her career right up to the bitter end" (New York Times) that brilliantly lifts the veil on a movie star of the brightest magnitude as she is fading into twilight. N September of 1982, Oscar-« winning actor and director Maximilian Schell (Julia, the Man in the Glass Booth) arrived in Paris for a series of on-camera interviews with Marlene Dietrich intended for a documentary film on the screen icon-¦s life and work. Despite having agreed to participate, the near-recluse Dietrich withdrew permission for her Judgment at Nuremburg co-star to film in her flat. Instead, in over 40 hours of audio-taped interviews, the 81 year-old screen legend provoked a battle royale of conversational mind games leading to unforgettably raw and truthful emotional revelations. Using Dietrich-¦s candid, bruising, infuriating, and occasionally touching off-camera musings on childhood, marriage, sex, love, collaborators, co-stars, life, death, and the Holocaust, Schell "sets her words, like a score, to the stunning film images of the young Marlene." (Washington Post). The hypnotic final result- buoyed by self-reflexive making-of footage, and an impressionistic re-creation of the sunless Paris flat where star and filmmaker fenced, fought, and ultimately connected- is the "Sunset Boulevard of documentaries" (Washington Post).