Jean Geoffroy writes: "This recording in itself defines the ensemble in it's cohesion, it's willingness, it's imagination, it's enthusiasm and it's talent. Between the historical recordings of the 1970s and today, there is only one short step, which builds on those trodden by the four generations that have played a part in this wild adventure, one further step like a baton passed down from generation to generation, if only to ensure that the movement initiated by all the composers who have written for the Percussions de Strasbourg, Iannis Xenakis high among them, will never stop."