At first glance, the choice of composers for this recording seems like an odd match: one cultivated a harsh,

expressive musical language, while the other was a proponent of introspective soundscapes. One piece ends in

an explosion, while the other offers us meditative contemplation.

We also have an apparent clash of nationalities: Prokofiev was Russian, (b. Sontsivka, Ukraine) Silvestrov is

Ukrainian, and conductor Dmitry Matvienko is Belarusian. But through art and music, we can always meet in

dialogue and mutual understanding.

What may first seem like madness has a clear logic. In Dmitry Matvienko's view, there are strong links between

the two composers. Quoting Valentin Silvestrov's belief that "only melody makes music eternal," Matvienko

explains why he chose Quiet Music for this recording. Despite very different musical languages, both composers

were exceptional melodists who regarded melody as the foundation of all music, regardless of genre or 20thcentury

avant-garde trends.

Matvienko also sees both works as shaped by their historical realities. Prokofiev's symphony reflects the

devastation of the post-war era and foreshadows future catastrophe, while Silvestrov's Quiet Music, written in

2002, predates but resonates deeply with later conflicts. Prokofiev could not have imagined the tragedy that

would unfold decades after his death, yet history reveals the cyclical nature of evil. His work on Eisenstein's

Ivan the Terrible exposed a ruler's destructive paranoia - an allusion Stalin recognized. Today, Matvienko argues,

history repeats itself in new forms. Against this, Silvestrov's Quiet Music offers consolation: a place of refuge

open to anyone, beyond nationality or religion, where sorrow can briefly be set aside.

It was very important to Dmitry Matvienko to include this piece in this recording: "Silvestrov said in one of his

interviews" - "I am so tired of the noise of this world ",- "I understand that and feel it very deeply. More and

more often I walk at night and listen to his music; not in headphones, but inside. And it gives me peace. I want

this piece to be therapy and solace for our listeners as well."