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Through this exciting recording, the violinist Fabio Biondi pursues his exploration of the seventeenth- and eighteenth-century repertoire for solo violin. Two years after his complete recording of Johann Sebastian Bach's solo Sonatas and Partitas (V 5467), he lands on entirely unknown territory, the Assaggi by the Swedish composer Johan Helmich Roman (1694-1758). In his own time, Roman was an important figure in the violin world. His career led him to the four corners of Europe, affording him the opportunity to meet many crucially important figures on the German and more southern musical stages, composers as well as renowned performers, especially when he was in Italy, where he visited Tartini. He also played with Handel. All of these encounters had a long-term influence on Johan Helmich Roman's style, a different and important take on les goûts réunis. If the highly polyphonic structures of the Assaggi naturally remind us of the Swede's Saxon origins (BeRI 314), if their study-like nature willingly brings to mind the twenty-four Fantasias of Telemann, works as much intended for professional musicians as for accomplished amateurs (the last movement of BeRI 310), the harmonies, which like the melodic outlines in Roman's work are subtly tinged with an Italianate flavour, clearly recall contrasting works by Tartini (the second part of BeRI 320 for instance, or again the Andante of BeRI 324).