A model of daring harmonic and contrapuntal treatment, Domenico Scarlatti's extraordinary Stabat Mater is one of the very few surviving examples of his music for the church. To place this unique masterpiece in context, Bertrand Cuiller and members of Le Caravansérail invite us to sample the composer's unjustly neglected contribution to the genre of opera and secular cantata, tracing a fascinating itinerary that leads from Naples to Rome and on to Madrid.
1 * Scarlatti, D: Sonata in G Major, K. 144 (Version for Solo Harp)
2 I. Stabat Mater Dolorosa
3 II. Cujus Animam Gementem
4 III. Quis Non Posset
5 IV. Eja Mater, Fons Amoris
6 V. Sancta Mater, Istud Agas
7 VI. Fac Me Vere Tecum Flere
8 VII. Juxta Crucem
9 VIII. Inflammatus
10 IX. Fac Ut Animæ
11 X. Amen
A model of daring harmonic and contrapuntal treatment, Domenico Scarlatti's extraordinary Stabat Mater is one of the very few surviving examples of his music for the church. To place this unique masterpiece in context, Bertrand Cuiller and members of Le Caravansérail invite us to sample the composer's unjustly neglected contribution to the genre of opera and secular cantata, tracing a fascinating itinerary that leads from Naples to Rome and on to Madrid.