Rich with Beach Boys style harmonies, Roy Orbison reverbs and orchestra, Pink Floyd's pacing and Freddie Mercury's falsetto, the second record by Montreal's Besnard Lakes is a luxurious foray into sound and music. They're masters of finely-honed experimental pop songs that invoke the eerie Lynchian setting as aided and abetted by the music of Julee Cruise, but on this record, the band throws into the mix a mad dash of Fleetwood Mac proportioned swagger and ambition.