2019 release. After spending the last six years making rock albums, Todd Snider is going back to folk. Cash Cabin Sessions, Vol. 3 was recorded at Cash Cabin in Hendersonville, TN. Snider wrote the set of songs and played all the instruments on the record, displaying his growth as a musician and vocalist. Of the five songs on which Snider serves up his humorous brand of socio-political commentary, three are performed in the talking blues style. He even had his friends, Jason Isbell and Amanda Shires, contribute backing vocals on a few of the tracks. If Snider is anything, he is a true artist, and he reminds us of that on Cash Cabin Sessions, Vol. 3. At a point in time when the world has never been more complicated and confusing, with people getting louder and louder, Snider did a 180, went back to his roots as a folksinger, to a simpler, quieter form of expression; and it might be what the world is waiting to hear; a man, his guitar, and the truth.
3 Like a Force of Nature (Feat. Jason Isbell) 3:55
4 Just Like Overnight 3:19
5 The Blues on Banjo 5:21
6 Framed 2:50
7 The Ghost of Johnny Cash 3:05
8 Dedication 0:30
9 Cowboy Jack Clement's Waltz 2:49
10 Explanation 0:23
11 Watering Flowers in the Rain 3:03
12 A Timeless Response to Current Events 3:17
2019 release. After spending the last six years making rock albums, Todd Snider is going back to folk. Cash Cabin Sessions, Vol. 3 was recorded at Cash Cabin in Hendersonville, TN. Snider wrote the set of songs and played all the instruments on the record, displaying his growth as a musician and vocalist. Of the five songs on which Snider serves up his humorous brand of socio-political commentary, three are performed in the talking blues style. He even had his friends, Jason Isbell and Amanda Shires, contribute backing vocals on a few of the tracks. If Snider is anything, he is a true artist, and he reminds us of that on Cash Cabin Sessions, Vol. 3. At a point in time when the world has never been more complicated and confusing, with people getting louder and louder, Snider did a 180, went back to his roots as a folksinger, to a simpler, quieter form of expression; and it might be what the world is waiting to hear; a man, his guitar, and the truth.