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J. Brahms-Brahms: Violin Concerto; Double Concerto

Brahms: Violin Concerto; Double Concerto [SACD]
~ J. Brahms

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Product Reviews

Is violinist Julia Fischer in the same league as David Oistrakh in her recording of Brahms' Violin Concerto? Are Fischer and cellist Daniel M ller-Schott in the same league as Oistrakh and Mstislav Rostropovich in their recording of Brahms' Double Concerto? No: Oistrakh and Rostropovich are playing big, muscular, and heroic music while Fischer and M ller-Schott are playing intimate, sensuous, and lyrical music. Fischer's tone is lovely, her technique is impeccable, but best of all his interpretation of the Violin Concerto is sweet, smiling, and joy-filled. M ller-Schott's tone is warm, his technique is impressive, but best of all his interpretation of the Double Concerto with Fischer sounds like a love duet from an Othello written by a German. Together with the lush and enveloping accompaniment of the Netherlands Philharmonic Orchestra Amsterdam led by Yakov Kreizberg, Fischer and M ller-Schott turn in performances that aren't in the same league as Oistrakh and Rostropovich -- they're in a wonderfully seductive league of their own. PentaTone's super audio digital sound is rich, full, deep, and just about real. ~ James Leonard, Rovi

Classical Data

72:55
Concerto
Romantic
Julia Fischer
Germany
Julia Fischer is one of the leading violinists to have emerged at the turn of the twenty first century. Although she began gaining notice with competition prizes and concert appearances from 1995, she achieved international renown for her 2003 New York appearances with conductor Lorin Maazel at both Lincoln Center and Carnegie Hall. Fischer was born in 1983, in Munich, Germany. She began taking lessons on the violin at age 3 from Helge Thelen, and at 4 began simultaneous studies on the piano with her mother, Viera Fischer, a talented amateur pianist. Young Julia's first advanced studies on the violin came a few years later in Augsburg, at the Leopold Mozart Conservatory; at 9, she began taking instruction at the Munich Academy of Music. Among her most important teachers there has been violin virtuoso Ana Chumachenco. In 1995 Fischer won first prize at the International Yehudi Menuhin Competition, where she also captured a special prize for best performance of a J.S. Bach solo work. The following year, in Lisbon, she won first prize at the Eurovision Competition for Young Instrumentalists, an event broadcast widely throughout Europe. Other important prizes followed as Fischer steadily developed her career as an orchestral soloist and recitalist. She gave regular concerts with major symphony orchestras beginning in the late '90s in both Europe and the United States. 2003 was a pivotal year in her career: in the aforementioned concerts with Lorin Maazel, where she played the Sibelius Violin Concerto with the New York Philharmonic Orchestra at Avery Fisher Hall and the Brahms Double Concerto with the Bavarian Radio Symphony Orchestra and cellist Han-Na Chang at Carnegie Hall, she convincingly established her credentials as one of the most talented violinists of her generation. Thereafter, she made concert tours with many of the world's finest orchestras, including the Academy of St. Martin-in-the-Fields (under Neville Marriner), the Gewandhaus Orchestra (Herbert Blomstedt), and the Royal Philharmonic Orchestra. Her first major recording was a 2001 DVD of Vivaldi's The Four Seasons, with Marriner and the Academy of St. Martin-in-the-Fields. In 2004 she began recording exclusively for PentaTone Classics, her first disc featuring performances of the Prokofiev First Violin Concerto, as well as Khachaturian and Glazunov concertos. Subsequent recordings included a disc of solo works by J.S. Bach, Brahms' chamber music, violin concerto and Double Concerto, and the Mozart Violin Concertos. Touring keeps Fischer busy, with dates in Europe and the U.S. during 2010-2011, including recitals with pianist Milana Chernyavska and also with the London Philharmonic Orchestra under Vladimir Jurowski. ~ Robert Cummings, Rovi
Is violinist Julia Fischer in the same league as David Oistrakh in her recording of Brahms' Violin Concerto? Are Fischer and cellist Daniel M ller-Schott in the same league as Oistrakh and Mstislav Rostropovich in their recording of Brahms' Double Concerto? No: Oistrakh and Rostropovich are playing big, muscular, and heroic music while Fischer and M ller-Schott are playing intimate, sensuous, and lyrical music. Fischer's tone is lovely, her technique is impeccable, but best of all his interpretation of the Violin Concerto is sweet, smiling, and joy-filled. M ller-Schott's tone is warm, his technique is impressive, but best of all his interpretation of the Double Concerto with Fischer sounds like a love duet from an Othello written by a German. Together with the lush and enveloping accompaniment of the Netherlands Philharmonic Orchestra Amsterdam led by Yakov Kreizberg, Fischer and M ller-Schott turn in performances that aren't in the same league as Oistrakh and Rostropovich -- they're in a wonderfully seductive league of their own. PentaTone's super audio digital sound is rich, full, deep, and just about real. ~ James Leonard, Rovi

Details

J. Brahms
Brahms: Violin Concerto; Double Concerto
Classical & Opera
Classical Composers
24 April 2007
Brahms, J.
Sacd Sacd ~ Discs:1
Pentatone ( PNTT )
SACD
5186066
827949006661

Track Listing

Track # Title
1 Allegro Non Troppo
2 Adagio
3 Allegro Giocoso, Ma Non Troppo Vivace - Poco Piã¹ Presto
4 Allegro
5 Andante
6 Vivace Non Troppo - Poco Meno Allegro - Tempo 1
# Title
  * We do our best to maintain an accurate database, but errors occur. Please use this list as a guideline.

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