Product Reviews
Any misgivings about Janelle Mon e's Bad Boy deal are nullified by the briefest contact with this, an extravagant 70-minute album involving more imagination, conceptual detail, and stylistic turnabouts than most gatefold prog rock epics. Credit Bad Boy's Diddy for allowing Mon e to fully explore the singularity on display through Metropolis, Suite I: The Chase, and work with her Wondaland crew on a bigger budget. The ArchAndroid not only picks up where The Chase let off, but contains both the second and third Metropolis suites in one shot with no discernible let s make some hits now intervention. The packaging alone -- the elaborate crown, the inspiration listed beside each song, etc. -- provides much to process. Liner notes from the vice-chancellor of the arts asylum at the Palace of the Dogs, Mon e s residence, outline the (possible) situation fleshed out in the songs. In short, Mon e was genoraped in the 28th century, sent back to the 21st century, and had her organic compounds cloned and re-purposed for the existence of ArchAndroid Cindi Mayweather, whose directive is to liberate Metropolis from a secret society of oppressors. Understanding all this stuff enhances the enjoyment of the album, but it is not required. A few tracks merely push the album along, and a gaudy Of Montreal collaboration is disruptive, but there are numerous highlights that are vastly dissimilar from one another. Tightrope, the biggest standout, is funky soul, all locomotive percussion and lyrical prancing to match: I tip on alligators, and little rattlesnakers/But I m another flavor, something like a Terminator. Just beneath that is the burbling synth pop of Wondaland, as playful and rhythmically juicy as Tom Tom Club ( So inspired, you touch my wires ); the haunted space-folk of 57821 (titled after Mon e s patient number); and the conjoined Faster and Locked Inside, packing bristling energy with a new-wave bounce that morphs into a churning type of desperation worthy of Michael Jackson. Mon e might not have much appeal beyond musical theater geeks, sci-fi nerds, and those who like their genres crossed-up, but no one can deny that very few are on her creative level. She can sing, sang, and scream like hell, too. ~ Andy Kellman, Rovi
Product Notes
2010 album from the American Pop and Soul singer/songwriter. The star-studded featured cast includes the legendary Big Boi of OutKast, renowned poet Saul Williams, Psychedelic Dance-Punk troupe Of Montreal, Punk prophets Deep Cotton, and the Wondaland Arch Orchestra. The album was recorded at Wondaland Studios in Atlanta, but written all over the world, including but not limited to Moscow, Prague, Istanbul, Berlin, Amsterdam, New York, and the Palace of the Dogs. The ArchAndroid was inspired not only by the energy of these places, but by such revolutionary musicians and artistic visionaries as Salvador Dalí, Walt Disney, OutKast, Stevie Wonder, Octavia Butler, David Bowie, Andy Warhol, and John Williams.