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B. Bartok-Bart K: The 2 Violin Concertos

Bart K: The 2 Violin Concertos [SACD]
~ B. Bartok

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Product Reviews

Though he was not himself a violinist, B la Bart k managed to compose two incredible violin concertos, the second of which is considered by some to be the most important violin concerto of the 20th century. The first concerto was written for the unrequited love of his youth, violinist Stefi Geyer, who never performed the work publicly and kept hold of the manuscript until her death in 1956. The two-movement work is filled with references to Bart k's relationship with her; the first movement luxuriously romantic and the second a pyrotechnic display of sheer virtuosity. The Second Concerto came about nearly two decades later from a commission. Though the work is in a Classical three-movement format, the inner workings are a mesmerizing series of motivic variations entirely of Bart k's design. Performing on this PentaTone Classics album are violinist Arabella Steinbacher and the Orchestre de la Suisse Romande under Marek Janowski. Steinbacher continues in her recent trend of producing exemplary recordings and joining forces with equally refined orchestras. Both concertos are executed with virtually flawless technical accuracy: polished intonation, precise rhythm and articulation, and a right arm that equally creates long, flowing lines and aggressive, forceful accents. Steinbacher's connection with the score is clear as she guides listeners through the emotions of the First Concerto and the ingenious variations of the Second. Janowski leads his orchestra in a sensitive yet robust accompaniment, and PentaTone's sound is rich, full, and clear. ~ Mike D. Brownell, Rovi

Classical Data

61:08
Concerto
Arabella Steinbacher
Germany
Few artists have ever burst onto the international scene with such immediate and overwhelming success as Arabella Steinbacher. Since her 2004 debut in Paris, she has been on a meteoric ascent, appearing at the major concert venues in Europe, the U.S., and Asia, and making critically acclaimed recordings. One of the reasons for her success is her choice to play rarely heard works as well as the standards. A look at the variety in her sizable repertory can astonish string music enthusiasts: among composers beginning with B, it contains not just the big three (Bach, Beethoven, Brahms), but Berg, Barber, and Bruch; it moves on to Chausson, Dvor k, Hartmann, Lalo, Milhaud, Mozart, Piazzolla, Prokofiev, Sarasate, Schubert, Shostakovich, Stravinsky, Tchaikovsky, and many more. And her work in the chamber realm has drawn the same kind of plaudits as have her concertante performances. Steinbacher has already made more than a half-dozen recordings, available on Orfeo and PentaTone. Arabella Steinbacher was born in Munich, Germany, on November 14, 1981. Her Japanese-born mother was a singer and her German father once served as r p titeur at the Bavarian State Opera. Steinbacher was extremely precocious, studying violin from age three. From age nine she received instruction from Ana Chumachenko at the Munich Academy of Music. Steinbacher was later mentored by Ivry Gitlis and aided by a scholarship from the Anne-Sophie Mutter Foundation (2001-2005). After her 2004 debut in Paris offers to perform around the world flooded in. Her first recording, the Khachaturian Violin Concerto, was issued that same year on Orfeo. In both 2005 and 2006 she received the German Record Critics Awards, the first for her Orfeo disc of the Milhaud violin concertos and the second for her CD of Shostakovich concertos, also on Orfeo. Steinbacher's June 2006 recital debut in New York received high praise from The New York Times, and her major American orchestral debut the following year with the Chicago Symphony Orchestra in the Sibelius concerto drew raves from the Chicago Tribune. Meanwhile, Steinbacher continued to draw acclaim for her recordings: her 2006 Violino Latino (Orfeo), which contained works by Piazzolla, Ponce, de Falla, and others, deftly conveyed her idiomatic grasp of Latin music. Steinbacher's concert schedule has remained busy: her 2008-2009 season included debuts with the Pittsburgh Symphony Orchestra and the Academy of St. Martin-in-the-Fields in London; her 2009-2010 season included a debut appearance with the Bavarian Radio Symphony Orchestra. ~ Robert Cummings, Rovi
Though he was not himself a violinist, B la Bart k managed to compose two incredible violin concertos, the second of which is considered by some to be the most important violin concerto of the 20th century. The first concerto was written for the unrequited love of his youth, violinist Stefi Geyer, who never performed the work publicly and kept hold of the manuscript until her death in 1956. The two-movement work is filled with references to Bart k's relationship with her; the first movement luxuriously romantic and the second a pyrotechnic display of sheer virtuosity. The Second Concerto came about nearly two decades later from a commission. Though the work is in a Classical three-movement format, the inner workings are a mesmerizing series of motivic variations entirely of Bart k's design. Performing on this PentaTone Classics album are violinist Arabella Steinbacher and the Orchestre de la Suisse Romande under Marek Janowski. Steinbacher continues in her recent trend of producing exemplary recordings and joining forces with equally refined orchestras. Both concertos are executed with virtually flawless technical accuracy: polished intonation, precise rhythm and articulation, and a right arm that equally creates long, flowing lines and aggressive, forceful accents. Steinbacher's connection with the score is clear as she guides listeners through the emotions of the First Concerto and the ingenious variations of the Second. Janowski leads his orchestra in a sensitive yet robust accompaniment, and PentaTone's sound is rich, full, and clear. ~ Mike D. Brownell, Rovi

Details

B. Bartok
Bart K: The 2 Violin Concertos
Classical & Opera
Classical Composers
31 August 2010
Sacd/Hybrid Sacd ~ Discs:1
Pentatone ( PNTT )
SACD
5186350
827949035067

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