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Christian Thielemann-Thielmann: Beethoven Symphonies

Thielmann: Beethoven Symphonies [CD]
~ Christian Thielemann

$33.45

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Product Reviews

At a time when it seems that the contemporary movement for historically informed practices has won over most performers of Ludwig van Beethoven's nine symphonies, along comes Christian Thielemann to spin the clock back to the mindset of the mid-20th century. Interpreting the symphonies with a conventional, even hidebound, approach that bears no sign of late Classical scholarship (streamlined tempos, smaller orchestras, original instrumentation, or other aspects of the way the music was actually played in the composer's time), Thielemann presents a Beethoven that is rather more in the manner of Wilhelm Furtw ngler than of, say, John Eliot Gardiner. Listeners who have not yet taken the plunge into authentic period practices may have wondered where the traditionalist could turn for old-fashioned, Teutonic performances that employ a full modern orchestra, conform to expected (i.e., slower) tempos, and generally have a homogenized orchestral blend with thick textures. Here is Thielemann, unapologetic and confident, and for what it is, his set is a solid, dependable cycle that doesn't pretend to be something it isn't, and it will not disappoint its intended audience. Indeed, the Vienna Philharmonic is one of the last bastions of tradition, and Thielemann surely will satisfy all who are nostalgic for the old style. There are some eccentricities of particular interest in the Finale of the Ninth, where Thielemann surprises with sneak-attack accelerandos, and his breakneck speed in the final pages will leave anyone breathless. But on the whole, this is a conservative's vision of Beethoven, and the live performances really bring the not-so-distant past to life. This deluxe box set offers six CDs and a DVD, Making van Beethoven, stored in a hard cover book with liner notes and a cloth-covered slipcase. ~ Blair Sanderson, Rovi

Product Notes

2012 seven disc (six CDs + DVD) set. Christian Thielemann and the Vienna Philharmonic devoted an entire concert series in Vienna's famous Golden Hall between 2008 and 2010 to the complete symphonies of Ludwig van Beethoven. The audience and critics alike were delighted by Thielemann's new interpretation, and now Sony Classical proudly releases this concert event in a deluxe box set. The special Limited edition set contains six CDs plus the bonus DVD, Making van Beethoven, which documents the recording process and includes interviews with Thielemann and the orchestra. This handsome package also contains a hard-cover book with deluxe linen covering and liner notes by University of Cambridge professor Timothy C.W. Blanning.

Classical Data

371:28
Symphony
Romantic
Christian Thielemann
Germany
Christian Thielemann has spent most of his career in the major opera houses of Germany, earning a reputation as one of the finest conductors of the operas of Wagner and Richard Strauss. He has been, especially in the new century, active in the concert hall, as well, particularly in repertory from the Germanic sphere, with a focus on works by Mozart, Beethoven, Weber, Schumann (the complete symphonies), Brahms, and Bruckner. While he has built much of his reputation in Germany, he has hardly avoided the limelight elsewhere, leading performances at the Met, San Francisco Opera, Vienna State Opera, Covent Garden, and the major Italian opera houses. Like many other conductors, he has generated a measure of controversy, owing to clashes with management over artistic and funding issues. Thielemann has made numerous recordings for a variety of labels, including DG, Decca, EMI, Orfeo, EuroArts, and Opus Arte. Christian Thielemann was born in Berlin, Germany, on April 1, 1959. He studied piano, harpsichord, and viola in his youth and later enrolled in the Karajan Academy. He played viola in the German Youth Orchestra and became an assistant to Karajan at 19. Thielemann debuted with the Berlin Philharmonic as a harpsichordist in 1980. In 1985 Thielemann was appointed principal conductor of the Deutsche Oper am Rhein in Dusseldorf. Three years later he became general music director at the Nuremberg Opera. His U.S. debut came at the San Francisco Opera in 1991, conducting Strauss' Elektra. Thielemann was appointed principal guest conductor of the Teatro Comunale of Bologna in 1993. In 1997 Thielemann accepted the post of general music director at the Deutsche Oper Berlin. He debuted at the 2000 Bayreuth Festival in Wagner's Die Meistersinger. Meanwhile, conflicts with management at the Deutsche Oper were brewing, and Thielemann departed in 2004, three years sooner than expected. From 2004 he began serving as music director of the Munich Philharmonic, with a contract running through 2011. In 2008 Thielemann was named chief musical advisor at Bayreuth, becoming in all but name the festival director. With Thielemann's 2012 appointment as music director of the Saxon State Opera and its sibling ensemble, the Dresden State Orchestra, he has clearly emerged as one of the foremost German conductors of his generation. Among his later recordings are a pair of Opus Arte DVDs, from 2010, of Wagner's Die Walk re and Das Rheingold, both taken from live 2008 Bayreuth Festival performances. ~ Robert Cummings, Rovi
At a time when it seems that the contemporary movement for historically informed practices has won over most performers of Ludwig van Beethoven's nine symphonies, along comes Christian Thielemann to spin the clock back to the mindset of the mid-20th century. Interpreting the symphonies with a conventional, even hidebound, approach that bears no sign of late Classical scholarship (streamlined tempos, smaller orchestras, original instrumentation, or other aspects of the way the music was actually played in the composer's time), Thielemann presents a Beethoven that is rather more in the manner of Wilhelm Furtw ngler than of, say, John Eliot Gardiner. Listeners who have not yet taken the plunge into authentic period practices may have wondered where the traditionalist could turn for old-fashioned, Teutonic performances that employ a full modern orchestra, conform to expected (i.e., slower) tempos, and generally have a homogenized orchestral blend with thick textures. Here is Thielemann, unapologetic and confident, and for what it is, his set is a solid, dependable cycle that doesn't pretend to be something it isn't, and it will not disappoint its intended audience. Indeed, the Vienna Philharmonic is one of the last bastions of tradition, and Thielemann surely will satisfy all who are nostalgic for the old style. There are some eccentricities of particular interest in the Finale of the Ninth, where Thielemann surprises with sneak-attack accelerandos, and his breakneck speed in the final pages will leave anyone breathless. But on the whole, this is a conservative's vision of Beethoven, and the live performances really bring the not-so-distant past to life. This deluxe box set offers six CDs and a DVD, Making van Beethoven, stored in a hard cover book with liner notes and a cloth-covered slipcase. ~ Blair Sanderson, Rovi

Details

Christian Thielemann
Thielmann: Beethoven Symphonies
Classical & Opera
Classical Artists
14 February 2012
6 Cd/Incl. Dvd ~ Discs:7
Sbme/Masterworks ( MBWY )
Compact Disc
271722
Yes (additional shipping cost)
886979271722

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