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David Zinman-Schubert: Symphony No. 7 Unfinished

Schubert: Symphony No. 7 Unfinished [CD]
~ David Zinman

$9.99

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Product Reviews

Following critically praised cycles of the symphonies of Ludwig van Beethoven, Gustav Mahler, and Johannes Brahms, David Zinman, and the Tonhalle Orchestra Zurich has launched an impressive series of Franz Schubert's symphonies that meets the high standards of previous sets. This volume presents the Symphony No. 7 in B minor, "Unfinished," along with a handful of works for violin and orchestra to round out the disc: the Rondo in A major, D. 438; the Polonaise in B flat major, D. 580; and the Konzertst ck in D major, D. 345, featuring violinist Andreas Janke. The layout of the other recordings in the series likely relegated the "Unfinished" to its own CD, which is probably a sign that none of the symphonic fragments will be included. In any case, while the concert pieces are attractive, the startling interpretation of "Unfinished" is the center of attention. Zinman takes it at a brisk clip, perhaps even too fast, and this may be a little disconcerting to anyone accustomed to the conventional approach where both movements are usually played at a moderate or even moderately slow pace. Here, the music is played with vigor and intense propulsion, and the bright, open sound of the orchestra is strikingly close to Classical period practice, despite the use of modern instruments. Audiophiles will think it unfortunate that these recordings are merely digital CDs, and not hybrid SACDs of the extraordinary depth and breadth heard in Zinman's Mahler set. But RCA's sound is exceptionally clear, crisply detailed, and quite exciting to hear. ~ Blair Sanderson, Rovi

Product Notes

After their acclaimed recording of the complete Beethoven symphonies in a new musical guise, a highly regarded cycle of Richard Strauss's tone poems, the complete Mahler symphonies and a number of other musical projects with which attracted widespread attention, David Zinman and the Tonhalle Orchestra Zurich now devote themselves to the symphonies of Franz Schubert. David approaches the Schubert symphonies with exceptional expertise, basing his recordings on the original editions of the scores, using 19th-century instruments and paying heed to historic performing practice. The new readings by David Zinman and the Tonhalle Orchestra Zurich offer the chance to enjoy Schubert's symphonies in fresh new versions: a cycle for the 21st century.

Classical Data

51:48
Symphony
Romantic
David Zinman
USA
David Zinman is an American conductor, well known for his broad repertoire with large emphasis on new music from North America and Europe. His own instrument was the violin, which he studied at Oberlin College Conservatory of Music in Ohio. He took a Masters in composition at the University of Minnesota in 1963. During the same period he attended the Berkshire Music Center at Tanglewood. French conductor Pierre Monteux noticed him, leading to Zinman's enrolling in Monteux's conducting school in Maine. From 1961 to 1963 Zinman served as Monteux's assistant, and he considers Monteux his primary mentor. He appeared as a guest conductor at the Nederlands Kammerorkest, after which the organization engaged him as its conductor. He held that position from 1965 to 1977. His success in Holland led one of the country's leading full-size orchestras, the Rotterdam Philharmonic, to invite him to be its music director (1979-82). He also conducted at the Holland Festival. In the meantime he had been music adviser (1972-74) and music director (1974-85) of the Rochester (NY) Philharmonic. In 1983 he became principal guest conductor of the Baltimore Symphony Orchestra. This association was elevated to the position of music director in 1985. Zinman has been known for a very broad repertoire and innovative programming. In Baltimore he added a summer music festival, a discovery series of contemporary music, and Saturday morning "Casual Concerts," with commentary by the conductor. His highly acclaimed recordings on such labels as Telarc, Argo, and Sony Classics include music as traditional as the Elgar symphonies and overtures and as unusual as Michael Daugherty's Metropolis Symphony, based on characters and situations from the Superman comic books. Zinman's many recordings have received numerous awards and distinctions. Most notable is the spectacular popularity of his 1990 recording of G recki's Third Symphony for Nonesuch, which became one of the most commercially successful classical recordings ever produced. He has also received a Gramophone Award, two Grands Prix du Disque, two Edison Prizes, and five Grammy Awards. He has helped spark interest in a new school of tonal American symphonic composition that rejected the abstruse, international sound of the 12-tone music that dominated the world of "serious" clasical music from about 1950 to 1980. This more audience-friendly music featured harmonic languages and the driving rhythms characteristic of much American popular music and jazz. Although the music has been criticized fot not being progressive, the presence of these elements thrills many in the established audience, and has helped attract a new one. Composers whose work he has promoted include Christopher Rouse, Michael Torke, Aaron Jay Kernis, and Richard Danielpour. In 1998 Zinman stepped down from his Baltimore position, but continued as music director and chief conductor of the Zurich Tonhalle Orchestra (since 1995, with his contract extending to 2014). He was also music director of the Aspen Music Festival from 1985 until 2009. ~ Joseph Stevenson, Rovi
Following critically praised cycles of the symphonies of Ludwig van Beethoven, Gustav Mahler, and Johannes Brahms, David Zinman, and the Tonhalle Orchestra Zurich has launched an impressive series of Franz Schubert's symphonies that meets the high standards of previous sets. This volume presents the Symphony No. 7 in B minor, "Unfinished," along with a handful of works for violin and orchestra to round out the disc: the Rondo in A major, D. 438; the Polonaise in B flat major, D. 580; and the Konzertst ck in D major, D. 345, featuring violinist Andreas Janke. The layout of the other recordings in the series likely relegated the "Unfinished" to its own CD, which is probably a sign that none of the symphonic fragments will be included. In any case, while the concert pieces are attractive, the startling interpretation of "Unfinished" is the center of attention. Zinman takes it at a brisk clip, perhaps even too fast, and this may be a little disconcerting to anyone accustomed to the conventional approach where both movements are usually played at a moderate or even moderately slow pace. Here, the music is played with vigor and intense propulsion, and the bright, open sound of the orchestra is strikingly close to Classical period practice, despite the use of modern instruments. Audiophiles will think it unfortunate that these recordings are merely digital CDs, and not hybrid SACDs of the extraordinary depth and breadth heard in Zinman's Mahler set. But RCA's sound is exceptionally clear, crisply detailed, and quite exciting to hear. ~ Blair Sanderson, Rovi

Details

David Zinman
Schubert: Symphony No. 7 Unfinished
Classical & Opera
Classical Artists
20 March 2012
~ Discs:1 ~ Country:Usa
USA
Sbme/Masterworks ( MBWY )
Compact Disc
533523
886979533523

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