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Anne Akiko Meyers-Air: The Bach Album

Air: The Bach Album [CD]
~ Anne Akiko Meyers

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Product Reviews

This release by California violinist Anne Akiko Meyers looks both backward and forward. Meyers' playing is a throwback to a style of Bach playing that was common a couple of generations ago but isn't much heard anymore: flowery, heavy on the vibrato, a bit sentimental, with moments of slight tempo rubato in both the violin and the orchestral accompaniment of the English Chamber Orchestra (which was always the go-to group for this style) under Steven Mercurio. The novelty factor here involves the magic of overdubbing, which has been commonplace in pop since Patti Page's hits of the 1940s but is still a rarity in classical music: Meyers uses a pair of Stradivarius violins in the Concerto for two violins, strings, and continuo in D minor, BWV 1043, playing both herself. Whether or not you are fully on board with these approaches, you're likely to agree that Meyers executes them both quite well. Her pitch is precise in the Violin Concerto in A minor, BWV 1041, and she pulls on the heartstrings in the arrangements of the so-called Air on a G string from the Orchestral Suite No. 3 in D major, BWV 1068, and the Bach/Gounod Ave Marie. But the real attraction is the Double Concerto, where Meyers makes the most of her two violins, the "Molitor" of 1697 (the violin I part) and the "Royal Spanish" of 1730. The latter has a slightly rougher tone that Meyers deploys very effectively in its lower register. Though it's not everyone's cup of tea, this recording has met with well-deserved commercial success. ~ James Manheim, Rovi

Product Notes

Anne Akiko Meyers is celebrated as one of the world's premiere concert violinists, described as a 'trailblazing violinist', one who is constantly 'charting her own course.' She has recently collaborated with top jazz artists such as Chris Botti, pop singing sensation, Il Divo and jazz legend, Wynton Marsalis, who composed cadenzas for her in Mozart's G Major Violin Concerto. This new recording of Bach's masterpieces for violin and orchestra is Anne's third release for eOne. Alongside the two concertos for violin, Anne has recorded the Concerto for Two Violins, performing both parts on her two Stradivari violins: her recently acquired Ex-Napoleon Molitor Stradivarius (as featured on "Countdown with Keith Olbermann" on MSNBC) and the Royal Spanish Stradivarius, heard on her last two eOne recordings. Also included on this disc are exquisite new arrangements of the "Air" from the Suite No. 3 and the Bach-Gounod "Ave Maria." Anne is quoted as saying "It was magical recording the Bach album with the English Chamber Orchestra and the 'Ex-Molitor/Napoleon' Stradivari violin, dated 1697. The special combination of beautiful repertoire, including 'Air', 'Largo' and 'Ave Maria', the Violin Concertos and the fresh take of recording both parts of the Double Concerto on 2 different Strads, was pure joy to make!"

Classical Data

57:28
Chamber
Romantic
Anne Akiko Meyers
USA
A violin prodigy who appeared on the Tonight Show at age 11 and performed with the New York Philharmonic a year later, Anne Akiko Meyers enjoyed wide attention in her early years, especially as an exclusive RCA recording artist in her twenties. Once that recording contract expired, though, Meyers' visibility inevitably declined, although she has set herself apart as a champion of new music as well as standard Romantic works. Born in California to an American father and a Japanese mother, Meyers began studying the violin at age four. Within three years she was soloing with a local community orchestra, while studying with Alice and Eleanore Schoenfeld at the Colburn School of Performing Arts in Los Angeles. In 1981 she made her Los Angeles Philharmonic debut, not long after appearing on Johnny Carson's Tonight Show. An engagement with the New York Philharmonic came when she was 12. Despite this early attention, Meyers continued her serious study, first with Josef Gingold at Indiana University, and then in 1985 with Dorothy DeLay, Felix Galimir, and Masao Kawasaki at the Juilliard School. Meyers obtained major representation from ICM at age 16, in 1987. By 18, she had made her first recording, concertos by Barber and Bruch on the Royal Philharmonic's house label. Upon her graduation from Juilliard in 1990, she signed an exclusive recording contract with RCA and began touring extensively. In 1993 she received the prestigious Avery Fisher Career Grant, signaling that she was more than an over-age child prodigy. The first several of her six RCA recordings revolved around Romantic music, but by the end of her contract she had recorded the Prokofiev concertos and twentieth century American sonatas, as well as a few Japanese pieces. Even so, this hardly hinted at the violinist's strengthening interest in new music. She worked closely with composer Joseph Schwantner on his concerto Angelfire, which she premiered in 2001. The following year she participated in the first performance of Ezequiel Vi ao's tone poem Saga with Joseph Kalichstein and Kristjan J rvi's Absolute Ensemble. A few months later, she premiered and recorded a violin concerto by Somei Satoh. As a mature artist, Meyers has tempered her youthful technical brilliance with a delight in subtle interpretive details, particularly in recital pieces. Yet she doesn't disdain promotional glamour; in 1998 she was photographed by Annie Leibowitz for an Anne Klein fashion advertising campaign. Later collaborators included Chris Botti, Il Divo, and Wynton Marsalis, along with several television appearances with the Boston Pops Orchestra and at the Casals Festival with the Montr al Symphony. Her recorded efforts include Birds Warped in Time (2003), Smile (2009), and Seasons...Dreams (2010). ~ James Reel, Rovi
This release by California violinist Anne Akiko Meyers looks both backward and forward. Meyers' playing is a throwback to a style of Bach playing that was common a couple of generations ago but isn't much heard anymore: flowery, heavy on the vibrato, a bit sentimental, with moments of slight tempo rubato in both the violin and the orchestral accompaniment of the English Chamber Orchestra (which was always the go-to group for this style) under Steven Mercurio. The novelty factor here involves the magic of overdubbing, which has been commonplace in pop since Patti Page's hits of the 1940s but is still a rarity in classical music: Meyers uses a pair of Stradivarius violins in the Concerto for two violins, strings, and continuo in D minor, BWV 1043, playing both herself. Whether or not you are fully on board with these approaches, you're likely to agree that Meyers executes them both quite well. Her pitch is precise in the Violin Concerto in A minor, BWV 1041, and she pulls on the heartstrings in the arrangements of the so-called Air on a G string from the Orchestral Suite No. 3 in D major, BWV 1068, and the Bach/Gounod Ave Marie. But the real attraction is the Double Concerto, where Meyers makes the most of her two violins, the "Molitor" of 1697 (the violin I part) and the "Royal Spanish" of 1730. The latter has a slightly rougher tone that Meyers deploys very effectively in its lower register. Though it's not everyone's cup of tea, this recording has met with well-deserved commercial success. ~ James Manheim, Rovi

Details

Anne Akiko Meyers
Air: The Bach Album
Classical & Opera
Classical Composers
14 February 2012
~ Discs:1
Entertainment One ( ETMO )
Compact Disc
7785
099923778523

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