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P.I. Tchaikovsky-Tschaikowsky: Symphonie Nr. 5

Tschaikowsky: Symphonie Nr. 5 [SACD]
~ P.I. Tchaikovsky

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Product Reviews

Conventional in style and fairly predictable in expression, this presentation of Pyotr Il'yich Tchaikovsky's Symphony No. 5 in E minor will surprise no one. But because it is a solid rendition with a distinct point of view, it fills a need that some listeners might have for an unapologetically traditional interpretation. Dmitrij Kitajenko leads the G rzenich Orchestra of Cologne with intelligence, conscientiousness, and obvious affection for the piece, so the music is played with much the same feeling and understanding associated with mainstream performances of the 20th century, and there are no authenticity issues, scholarly revisions, or historically informed changes. In fact, Kitajenko gives the Fifth a slightly exaggerated post-Romantic style, as if to point in quite the opposite direction, particularly in his extremely slow tempos, homogenous orchestral blend, and ample rubato in long melodic lines. Old-fashioned as this treatment is -- delivered with a kind of weight that one usually associates with Russian performances -- this is all of a piece and consistent within its parts, so liking Kitajenko's conservative interpretation is a matter of taste. The filler piece is the Overture to the opera, Pique Dame, which rounds out the album with a dramatic encore. Oehms provides rich multichannel sound that captures the full orchestral palette, though the lower brass and timpani occasionally cut through with startling force. ~ Blair Sanderson, Rovi

Classical Data

53:40
Symphony
Modern
Dmitri Kitayenko
Russia
Dmitri Kitaenko is among the leading Russian conductors of his generation. Though generally overshadowed by his contemporary Yuri Temirkanov, as well as older-generation figures like Kiril Kondrashin and Gennady Rozhdestvensky, Kitaenko has held several prestigious conducting posts and has made a spate of critically praised recordings for a variety of major labels in both operatic and symphonic repertory largely dominated by Russian composers. Kitaenko was born in Leningrad, on August 18, 1940. He studied conducting at the Leningrad Conservatory, then later at the Moscow Conservatory under Lev Ginzburg. With the thaw in the Cold War allowing greater artistic freedom in the Soviet Union, he moved onto the Vienna Conservatory where he studied under famed conductor Hans Swarowsky. The most crucial event in Kitaenko's early career was his entry in the first Herbert von Karajan Competition in 1969, where he won first prize. The following year he was appointed artistic director at the Nemirovich-Danchenko Music Theater in Moscow, a post that allowed him to gain much experience in operatic repertory. He also began conducting the leading Russian orchestras and soon became a regular conductor at the Bolshoi. He traveled abroad, too, leading important operatic productions in Brussels, Vienna, and Munich. In 1976 he was appointed principal conductor of the Moscow Philharmonic Orchestra, succeeding Kiril Kondrashin. During his 14-year stint in Moscow, Kitaenko made many recordings for the Soviet label Melodiya, his releases including the complete symphonies of Prokofiev, and various works by Shostakovich, Rachmaninov, and, surprisingly, Gershwin. In 1990 he left the Soviet Union for Western Europe, taking two conducting posts concurrently, the Bergen (Norway) Philharmonic Orchestra, where he served until 1998, and the Hessischen Rundfunk Orchestra, Frankfurt, a post he held until 1996. Among Kitaenko's first recordings to be released in the west was a 1991 Prokofiev disc on the Chandos label containing Alexander Nevsky and the Scythian Suite, made with the Danish National Radio Symphony Orchestra and Choir. After 1998, Kitaenko regularly began appearing as a guest conductor in Europe, Japan, and the U.S. In the new century he has made a number of successful recordings, including the 2001 cycle of the five Prokofiev piano concertos, with his former Frankfurt orchestra and pianist Vladimir Krainev on the Elektra label. In 2005, Kitaenko finished recording the 15 symphonies of Shostakovich, and the set was issued on the Capriccio label to a quite favorable critical response. Further recordings included efforts on Shostakovich, Stravinsky, and Tchaikovsky. ~ Robert Cummings, Rovi
Conventional in style and fairly predictable in expression, this presentation of Pyotr Il'yich Tchaikovsky's Symphony No. 5 in E minor will surprise no one. But because it is a solid rendition with a distinct point of view, it fills a need that some listeners might have for an unapologetically traditional interpretation. Dmitrij Kitajenko leads the G rzenich Orchestra of Cologne with intelligence, conscientiousness, and obvious affection for the piece, so the music is played with much the same feeling and understanding associated with mainstream performances of the 20th century, and there are no authenticity issues, scholarly revisions, or historically informed changes. In fact, Kitajenko gives the Fifth a slightly exaggerated post-Romantic style, as if to point in quite the opposite direction, particularly in his extremely slow tempos, homogenous orchestral blend, and ample rubato in long melodic lines. Old-fashioned as this treatment is -- delivered with a kind of weight that one usually associates with Russian performances -- this is all of a piece and consistent within its parts, so liking Kitajenko's conservative interpretation is a matter of taste. The filler piece is the Overture to the opera, Pique Dame, which rounds out the album with a dramatic encore. Oehms provides rich multichannel sound that captures the full orchestral palette, though the lower brass and timpani occasionally cut through with startling force. ~ Blair Sanderson, Rovi

Details

P.I. Tchaikovsky
Tschaikowsky: Symphonie Nr. 5
Classical & Opera
Classical Composers
28 February 2012
Sacd Kitajenko/Gürzenich-Orchester Sacd ~ Discs:1
Oehms Classics ( OEHM )
SACD
667
Yes (additional shipping cost)
4260034866676

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