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L.V. Beethoven-Beethoven: Symphonien Nos. 5 & 7

Beethoven: Symphonien Nos. 5 & 7 [SACD]
~ L.V. Beethoven

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Product Reviews

As recommendable an album as anyone could wish, Carlos Kleiber's performances with the Vienna Philharmonic of Ludwig van Beethoven's Symphony No. 5 in C minor, Op. 67, and the Symphony No. 7 in A major, Op. 92, are classics that should always be within reach, and this disc should be passed along to friends as the single best pairing of these two pieces. Other performances of these symphonies are absolutely essential to know, and recordings by many great conductors and orchestras certainly compete with this Deutsche Grammophon album for listeners' affections. But for sheer excitement, cogent direction, and expressive playing, none is more convincing. Kleiber was highly esteemed for his thorough musicianship, and his clarity of interpretation and communication skills with musicians resulted in performances that were compelling in their power and fascinating for their faithfulness to details in the score. If the hallmarks of great performances are the way they grab onto the listener through their energy and sustain interest for their finer points, no matter how familiar the pieces are, then these riveting and utterly lucid readings of Beethoven's Fifth and Seventh are great indeed. Even purists who insist on period style in their Beethoven must concede honors to Kleiber for his accuracy and attention to repeats, for following the indicated instrumentation, and for careful application of all the dynamics. In depth of musicality, technical polish, and all matters of instrumentation except for the size of the orchestra, these recordings surpass many historically informed performances and make some of them seem pedantic and empty in comparison. Add to these accumulated merits DG's scrupulous engineering and masterful , incredible ADD sound, and this unassailable disc wins in any match-up. ~ Blair Sanderson, Rovi

Classical Data

Beethoven: Symphony in Cm No5, Op67; Symphony in A No7, Op92
72:23
Symphony
Romantic
Carlos Kleiber
Germany
Carlos Kleiber was one of the legendary conductors of his time, famous for his infrequent, but supreme interpretations of a limited repertory. The New York Times called him "the most venerated conductor since Arturo Toscanini." Carlos Kleiber was born in Berlin, but was raised in Argentina. He was interested in music from an early age, despite opposition from his famous father, the conductor Erich Kleiber. Carlos settled in Europe in 1952 to become a rep titeur at the Theater am G rtnerplatz in Munich. He made his debut conducting Mill cker's Gasparone in Potsdam in 1954. He attained another r p titeur position in 1956 at the Deutsche Oper am Rhein in D sseldorf and was promoted to conductor in 1958. From 1964 to 1966 he was a conductor at the Z rich Opera, then first conductor at the W rttemberg State Theater in Stuttgart (1966-1968). From 1968 to 1978 he was a conductor at the Bavarian State Opera in Munich. During this period he made notable guest appearances. His British debut was conducting Berg's Wozzeck at the Edinburgh Festival in 1966. His Vienna debut was leading Tristan und Isolde in 1973, and he debuted at Bayreuth conducting the same work. In 1974 he appeared for the first time at Covent Garden and La Scala, in both cases conducting Richard Strauss's Der Rosenkavalier. His American debut vehicle was with Verdi's Otello in San Francisco. He made his debut at the Met in 1988. Subsequently, he also appeared as a conductor of orchestral concerts, including performances with the Chicago Symphony, the Vienna Philharmonic, and the Berlin Philharmonic. After Kleiber gave up his position in Munich, he did not enter into another permanent relationship with an orchestra or opera house, preferring instead to make rare guest appearances. Kleiber was a tireless perfectionist who possesses a remarkable intensity in rehearsal and performance. He produced performances of refined, polished execution that strip away everything but the composer's purest intentions. Kleiber released only a few recordings, but each one is considered a masterpiece of interpretation. His repertory came primarily from the Classical and Romantic repertoire, including Beethoven, Brahms, and Mozart symphonies and overtures. Among the highlights of his career were his interpretations of opera, including Der Rosenkavalier, and Johann Strauss' Die Fledermaus. His repertoire also included waltzes and other lighter works, which he performed on the Vienna Philharmonic's New Year's concerts. Some of his opera productions, and a documentary of his rehearsal and conducting technique, are available on video. A very private man, he avoided public appearances and press interviews. He became a naturalized Austrian citizen in 1980. ~ Joseph Stevenson, Rovi
As recommendable an album as anyone could wish, Carlos Kleiber's performances with the Vienna Philharmonic of Ludwig van Beethoven's Symphony No. 5 in C minor, Op. 67, and the Symphony No. 7 in A major, Op. 92, are classics that should always be within reach, and this disc should be passed along to friends as the single best pairing of these two pieces. Other performances of these symphonies are absolutely essential to know, and recordings by many great conductors and orchestras certainly compete with this Deutsche Grammophon album for listeners' affections. But for sheer excitement, cogent direction, and expressive playing, none is more convincing. Kleiber was highly esteemed for his thorough musicianship, and his clarity of interpretation and communication skills with musicians resulted in performances that were compelling in their power and fascinating for their faithfulness to details in the score. If the hallmarks of great performances are the way they grab onto the listener through their energy and sustain interest for their finer points, no matter how familiar the pieces are, then these riveting and utterly lucid readings of Beethoven's Fifth and Seventh are great indeed. Even purists who insist on period style in their Beethoven must concede honors to Kleiber for his accuracy and attention to repeats, for following the indicated instrumentation, and for careful application of all the dynamics. In depth of musicality, technical polish, and all matters of instrumentation except for the size of the orchestra, these recordings surpass many historically informed performances and make some of them seem pedantic and empty in comparison. Add to these accumulated merits DG's scrupulous engineering and masterful , incredible ADD sound, and this unassailable disc wins in any match-up. ~ Blair Sanderson, Rovi

Details

L.V. Beethoven
Beethoven: Symphonien Nos. 5 & 7
Classical & Opera
Classical Composers
13 May 2003
Ludwig Von Beethoven
Sacd/Hybrid/6 Ch Kleiber/Vienna Po Sacd ~ Discs:1 ~ Country:Usa
USA
Umgd/Deutsche Grammophon ( DEUT )
SACD
10136
Yes, Sale Ends 01 Jun 2012
028947163022
This Item Can Only Be Shipped To United States Addresses. No International Export.

Track Listing

Track # Title
1 Allegro Con Brio
2 Andante Con Moto
3 Allegro
4 Allegro
5 Poco Sostenuto- Vivace
6 Allegretto
7 Presto
8 Allegro Con Brio
# Title
  * We do our best to maintain an accurate database, but errors occur. Please use this list as a guideline.

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